Elle Hendrickson Elle Hendrickson

A LIMITED TIME

What role remains for the wild-hearted artist in a world that may no longer have any use for them?

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El Bruner El Bruner

WHAT TO EXPECT WHEN YOU’RE EXPECTING

But to truly rely on [museums] to build systems that benefit us would be much like asking questions posed in this tweet: Is Mastercard a queer ally? Is [insert corporation] my friend? Is the Speed Art Museum a feminist?

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William Smith William Smith

LOOKING AROUND: MR. SMITH SETS HIS SIGHTS ON KMAC COUTURE

I had enjoyed watching the show as I’m sure it enjoyed watching me. I can imagine a similar relationship between the past and present. Our history creating our moment, and our moment informing our history, both relishing in the control they have over the other. A staring contest where everyone can win if no one blinks.

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Sara Olshansky Sara Olshansky

CRACKS IN THE SURFACE

Healthy systems have a tendency to root and spread, even beneath heavily set constructions.

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Leah Raidt Leah Raidt

THEY SEEMED NEITHER, AND YET BOTH

What activates or is transmitted in the exchange between skinny-dipper and pond, or painter and painting, or seeker and finder, is the dynamic, cosmic, primordial, feminine energy that pervades all aspects of life.

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Max Trumpower Max Trumpower

MIRAGE AND CONSEQUENCE WITHIN THE SUBURBAN MICROCOSM

I am drawn in by landscapes familiar to this fictional home; images of Southern suburbia in autumn beckon associations of Halloween, trickery, and the all-too-familiar damp heat that brings creatures to the surface.

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Kat Smith Kat Smith

SOUTHERN WHITE AMNESIA

Foster shows the warping of history and the heroism that can so easily be clung to when reflecting on bloodline lineage.

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Anna Blake Anna Blake

MAYBE KUDZU COVERING MY BODY: CAMOUFLAGE IN THE SOUTH

The friction behind what makes this place home and what can make it feel threatening can be found in the places where our inherent natures go against Southern hegemony – a hegemony made up of whiteness, hetero- and cis-normativity, and Christianity.

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Andrew Cenci Andrew Cenci

INVERTED ORDINARY LIFE: FIELD NOTES FROM TOKYO

I have a tendency to hold things back, to wait for the right moment. In Japan, I observed a deep respect for process and for work that is still evolving. Seeing others who took initiative to start their projects, exhibitions, or galleries inspired me.

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Caleb Brooks Caleb Brooks

TWELVE BANDS, FIVE HOURS, ONE NIGHT ONLY

I step into the clear, caustic night and realize that’s what this whole event has been: a dispatch from some place of harmony we all sense but struggle so mightily to attain.

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Lindsey Cummins Lindsey Cummins

AND THEN THE WHEELS FELL OFF

Anderson’s visual language of strain and suspended motion reveals a carcass of American idealism. Repetition that persists without momentum builds an irresolvable tension that grinds hollow promises of prosperity into trails of burning rubber and collective exhaustion. 

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Dr. Felicia Jamison Dr. Felicia Jamison

RECLAIMING SPACE AND TRANSCENDING TIME

The dancers shuddered and convulsed, breathing life into the harrowing experience of the young Black girls that descended from the third-floor in the pursuit of new freedoms.

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Sirene Martin Sirene Martin

SANCTUARIA

Artist and creator Alivia Blade reflects on these ancestral images and long-held traditions of Black American culture. Her installation, Sanctuaria, on view at Snide Hotel Gallery, conjures a dedicated world for dreaming and rest, imagination and rejuvenation.

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Josh Porter Josh Porter

THE PERSISTENCE OF STILLNESS

In Joiner's photographs, she memorializes the connections of home, between the self and family, acknowledging how fragile they may become in the wake of grief.

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