"Displacement and the destruction of built environments is a violence that is often not described as such. This exhibition tries to depict that in a clear way, that this is a really real form of violence against communities."
“In this moment of climate catastrophe, All Four Seasons in Equal Measure reads as both lament and plea: mourning the loss of biodiversity and climatic predictability while urging us to look and listen to what remains of the wild.”
“We are constantly bombarded with images that contain motives. With this exhibit, we want people to really think about that and remember that the photos they are looking at are constructed, maybe by a photographer, and now maybe by AI".”
“No Comply may be in retirement, but its spirit will keep moving through the city in the people who built it and the crowds who gathered for it. Thank you to each and every one of the organizers and for everyone who helped make it possible.”
“Working with what is likely the smallest spending pool in the region, House of Anguish sculpts in cobweb and bone a model for populist, public art. With experiential arts spaces, or selfie museums as derided, pumping blood into the contemporary gallery scene, the haunted house remains a silent type-O donor.”
“A patriotic mermaid, leather daddy Santa, and a drag queen easter egg all walk into an art gallery. The result? An overwhelming immersion into the world of Kentucky’s LGBTQ history, seen through the eyes of queer artist Feather Chiaverini.”
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